The Waltz of the WhippoorwillProduced by Joe WeedBack to Recordings
A nominee for an "Indie" award for "Best New Age Album", this beautiful recording features 11 original compositions by Joe Weed, each based on a melody taken from an American birdsong. Tunes are played on acoustic guitar, mandolin, fiddle, bass and harmonica. Highly listenable and exquisitely recorded, The Waltz of the Whippoorwill has received both critical and commercial success. Featured soloists include David Grisman, Todd Phillips and Joe Weed.
|1. Cardinal (4:09)|
|2. Carolina Wren Rag (3:37)|
|3. Waltz of the Whippoorwill (3:22)|
|4. Western Kingbird Air (4:01)|
|5. Western Kingbird Reel (4:01)|
|6. California Quail (4:45)|
|7. Chickadee Polka (2:45)|
|8. Swainson's Thrush (3:26)|
|9. Eastern Meadowlark (3:27)|
|10. Greater Prairie Chicken (3:35)|
|11. Western Bluebird (3:15)|
|12. Varied Thrush (2:29)|
All compositions copyright © 1987 Joe Weed, All Rights Reserved
What they're saying...
"Some sweet, sweet acoustic dream. If this music came through your kitchen window it'd make rainbows." - Darol Anger, fiddler with David Grisman, Mike Marshall, Montreux, Turtle Island, and leading educator
"A marvelous concept, wonderful music and superb musicianship. One of the most listenable records I've heard in years!" - Jim Hatlo, Frets Magazine
"A beautiful album! A masterpiece!" - Tiny Moore, mandolinist with Merle Haggard and Bob Wills and his Texas Playboys
"...Weed pulls it off with flair...all acoustic pieces, featuring Weed's rich fiddle tone and sprightly mandolin. Especially high flying is his uptempo duet with Grisman on "Western Kingbird." Excellent production and recording, and some adventurous harmonies and good humor ("Chickadee Polka" and "Carolina Wren Rag"), help make this an enjoyable record." - Mark Hanson, Frets Magazine
"The music is a great bridge between the world of nature and the world of music."
- Mark Silberstein, Elkhorn Slough Foundation, Moss Landing, CA
- Cardinal (4:09) This beautiful songbird has at least 28 songs of its own. I've chosen a simple two-note pattern as the motif for this tune, which I wrote in memory of Alberta Barker Kendall, who loved this bird so.
- Carolina Wren Rag (3:37) This saucy little bird does what most wrens do--hides in a thicket and taunts birdwatchers. Its song seems to lend itself most fittingly to a rag.
- The Waltz of the Whippoorwill (3:22) My image of the whippoorwill shall always evoke the falling star and purple sky of Hank Williams' hauntingly beautiful waltz, "I'm So Lonesome I Could Cry," which I first heard in 1956 as my family crossed the Great Plains in our Ford station wagon. When I mentioned this to an old Texan, he told me that it would be a great day when they got rid of the whippoorwill with its constant banter. It drives them crazy at night. Oh, well.
- Western Kingbird Air and Reel (4:01) My wife once spotted a western kingbird on a farm in Kansas, sharing a fence with an eastern kingbird. The fence was running north and south. Here's a pair of tunes from the song of the western kingbird, who was much more musical than its eastern cousin.
- California Quail (4:45) Sometimes in the early morning of a cold, foggy winter day, I'll open the door and startle a covey of 25-50 of these beautiful birds feeding in the pines. They'll start up, and in a flurry, fly off into the grey. Imagine spending your life with a black tennis ball dangling between your eyes, and you'll have an idea of what it must be like to be a California Quail. This song evokes the peace these poor birds will never know.
- Chickadee Polka (2:45) Perhaps the most readily recognized of this collection, the chickadee's little call practically dictated the whole tune. These busy little birds polka their way up, down, across and through a tree or bush, singing the whole time.
- Swainson's Thrush (3:26) Thrushes are known for their beautiful flutey songs. This one was named for William Swainson, a 19th Century British naturalist and ornithologist, who in a dangerous and exciting time traveled through North and South America studying and collecting birds. I hope he liked waltzes.
- Eastern Meadowlark (3:27) Most field guides tell bird watchers that the only reliable way to distinguish eastern from western meadowlarks in the field is by their song. So if you don't hear the harmonica, it must be a western.
- Greater Prairie Chicken (3:35) John Terres writes in his Audubon Society Encyclopedia of North American Birds that this prairie dweller has not reacted well to the loss of its tall grasslands to the European settlers. This tune is a lament for a time when the bird shared the prairies with its neighbors in a more equitable arrangement.
- Western Bluebird (3:15) I spotted my first western Bluebirds long after they had spotted me. Doing their leaf imitations, they watched silent and motionless from the branches of a tall Sycamore tree in the hills near Sunol, California. This beautiful bird faces an uncertain future.
- Varied Thrush (2:29) A solitary male sat on the top branch of a huge fir tree near our house one evening, watching the sunset. In eight years I haven't seen that again. But I'll continue to look.
Thanks to Marti Kendall for love, devotion and inspiration, all the Weeds and Kendalls, Jorge and Pepin Montero, Thom and Myra Jones and family, Peter Crockett, Michael Rugg, Darol Anger, Chuck McCabe, Virg Evans, the fiddlers of North America for a beautiful and many-faceted tradition, the instrument builders who keep up happy, and the bird watchers and birds for keeping each other in line. This album is dedicated to Jeffrey Joe and Katie Elizabeth Kendall-Weed.
A collection of original music played on acoustic guitar, mandolin, fiddle, bass and harmonica. The melody of each piece is based on an actual bird song.
Joe Weed: guitars, mandolins, fiddles, viola
David Grisman: mandolin (#4 melody, 1st solo of reel & #9, mando solo)
Todd Phillips: bass
Steve Sargenti: harmonica
Marti Kendall: cello
Steve Kritzer: mandolin chops on #6
David Wheeler: Recorder
For additional copies or information on obtaining other recordings by Joe Weed, please contact
Highland Records PO Box 554
Los Gatos, CA 95031-0554
Cover design, illustration and layout: Michael Rugg, Peter Crockett and Joe Weed
Photos: Paul Schraub
Published by Jozone Music, BMI - a division of Highland Publishing Group
Recorded analog and Mixed to Digital at Highland Studio, Los Gatos, CA
Underlined portions of music are actual birdsongs.
My image of the whippoorwill shall always evoke the falling star and purple sky of Hank Williams' hauntingly beautiful waltz, "I'm so Lonesome I Could Cry".